We had heard that Steve Ritchie had helped out on this game during Nordman's convalescence. Steve Ritchie gave us his comments:

I didn't really do that much work on Elvira. Dennis' original whitewood work was very close to what Elvira is today. I smoothed it out a bit here and there, but Greg Freres assumed the duties of team leader on Elvira, and I worked with him to get the game in production. This is what I remember to be true, but you should confirm this with Dennis.

Dennis Nordman adds his comments:

My whitewood was essentially finished when I crashed but Steve, Mark [Ritchie], and Jim Patla stepped in to get it finished and refine some areas. Patla took over the management duties and Mark and Steve helped out. My memory tells me that Jim Patla did much of the work and I think I listed him as part of the design team for this reason. Mark Penacho was the programmer.

Artist Greg Freres tells us that for the backlass characters of the Wolfman and Dracula, he used photos of Dennis Nordman and Jim Patla, respectively. He also used artist Tim Elliot as a photo model for the Frankenstein pizza delivery guy.

Production Run Records for Elvira and the Party Monsters:
Production Start Date: Sep-5-1989
Production End Date: Nov-17-1989
Production Run Quantity: 4000
First ship date: Sep-5-1989
Last ship date: Dec-7-1989

Pictured in this listing is a game, serial number 100824, with its skull toy having a curious yellow discoloration everywhere except the jawbone. The game came with an operators manual printed in German and its cabinet had been fitted with a ticker vender mechanism. Such mechanisms are banned in Germany, so the owner assumes the vender was added in Italy, where he obtained the game. He brought the game back to Germany and subsequently he met up with artist Greg Freres at a show there. Later, we asked Greg to comment on the discoloration of the skull. He replied:

I really don't know why the top part of the skull was discolored compared to the "jaw" portion. My assumption was that we may have tried to do a "wipe" technique on early parts (painting the part to create some visual interest and then wiping it off leaving a bit of a patina behind. This technique was usually reserved for parts that had texture built into the part. For instance, the skull entrance on EATPM used this wipe process to enhance the texture, or the climbing rock on No Fear also used this technique to give the rocks a more natural look. However, this No Fear skull was a smooth part to begin with so a wipe technique doesn't make much sense because there aren't any "nooks & crannies" for the paint to get left behind. BUT this skull has some slight texture in it...this lead me to believe that MAYBE this was an early part pulled off a temporary tool and that temp tool may not have been sanded to a smooth finish...MAYBE we were still experimenting with the idea of having the iconic NF skull symbol pushed more towards a real skull instead of a 3D representation of their logo (???) I also thought that MAYBE this skull was discolored from years inside a smoky bistro BUT why then wasn't the "jaw" section as discolored? That's why I started thinking we may have been experimenting and this one got left on a proto game.

Secondly, once it was brought to my attention that the game had a low serial number I noticed the translite was also an early translite, not the finished production translite. You probably already know the story about the ski outfit that Glenn Plake is wearing - production has a red and black combo vs the all yellow outfit that I painted on the illustration. I think about 200 translites were printed to cover the "sample" run, and then we fixed the art, re-ran the films, and printed the rest of the production translites with the new colors. So the fact that his game ALSO has the early translite leads me to believe that his game is possibly from the proto run - perhaps one of the first batch of games that ended up in Germany (or Europe).